Jonge vrouwen met een takkenbossen c. 1884 - 1887

Editor: This pencil drawing, "Jonge vrouwen met een takkenbossen," created around 1884 to 1887 by Willem Witsen, has such a wonderfully unfinished quality. The stark contrast of lines really makes the figures stand out, but the whole scene feels really raw. What do you see in this piece? Curator: What immediately strikes me is the composition. Witsen has arranged the figures centrally, anchoring them within the verticality of the trees. Note how the artist employs line— the crisp, decisive strokes defining the figures' forms contrast sharply with the looser, almost scribbled texture of the forest floor. Where does this visual contrast lead us? Editor: It definitely directs my focus. The faces are blank, devoid of much detail. Is that intentional, to keep our eye moving, considering that Witsen used pencil on paper? Curator: Precisely. Consider how the artist uses value—the strategic application of shadow—to give depth to the figures’ clothing and the surrounding foliage. The lack of sharp facial features allows the eye to concentrate on the shape and posture of the figures. This emphasis prompts inquiry into the subjects’ relation with their surroundings. Editor: The entire piece feels very immediate, very in the moment. I almost get the feeling of Witsen jotting this down as quickly as he could. Curator: Agreed. And there is also that negative space, serving as a compositional tool. It isolates shapes and accentuates form. This artistic choice brings visual balance. What feeling arises when considering how effectively Witsen is using these qualities? Editor: The balance contributes to that immediate feel and the rustic beauty of these young women seemingly at one with nature. Curator: Yes, by meticulously managing these aspects, the artwork not only becomes aesthetically pleasing but creates an immersive encounter that encourages investigation of its visual elements. I came here focused on subject but leaving with a greater focus on form!