Dimensions: support: 294 x 208 mm
Copyright: © Helena Almeida | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have Helena Almeida's "Drawing (with pigment)," held in the Tate Collections. It's a study on paper, seemingly a preparation for a larger work. Editor: My first impression is one of quiet desperation. The poses are so vulnerable, so exposed. Curator: Note how Almeida uses simple lines to capture form and movement. The repetition of the figure creates a visual rhythm. Editor: And the pigment, the dark ink, seems to represent a physical burden, almost like a shadow that weighs down the figure. The one patch of red draws my eye, like an emotional branding. Curator: It certainly disrupts the grayscale, introducing a dynamic element of contrast. Editor: Perhaps it signals the blood of creation, or the raw vulnerability of the artist. Curator: A compelling thought. The artwork uses simple means to explore complex ideas about body and self. Editor: Yes, images of both power and surrender. This work, despite its simplicity, resonates with deep emotional truths.
Comments
http://www.tate.org.uk/art/artworks/almeida-drawing-with-pigment-t13485
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
This is one of thirty-eight drawings in Tate’s collection by Almeida, all of which are rendered in ink, pen and pigment on sheets of off-white A4 paper. Each sheet has four holes punched down one side, and a number of the sheets have drawings on both sides. The images consist of simple line drawings, overlaid with passages of dense pigment. Each depicts the artist’s body in whole or in part. Many detail her hands, often in the act of drawing. Other images show the artist’s legs, arms or torso, or show her performing an action: dragging an unidentifiable mass that is attached to her ankle by a rope, or pushing her prone body up from the floor.
CollectMore like this
