Portret van Joseph Paxton 1842 - 1887

Curator: This print, residing here at the Rijksmuseum, is titled "Portret van Joseph Paxton." It was created sometime between 1842 and 1887 by Carel Christiaan Antony Last. Editor: Immediately, I’m struck by the texture. It has that gorgeous, almost velvety feel, created by layering shades of gray. A study in tone using very little. Curator: Exactly. This "portrait" seems primarily realized through meticulous engraving and possibly a light pencil under-drawing, which showcases the almost scientific precision of academic art at the time, an exploration into representation via mechanical means. Editor: The subject, Joseph Paxton, is poised holding a document—perhaps a design? I think the key material aspect lies not only in the finished piece but also in those preliminary sketches that must have gone into it, the paper itself and pencils he employed to imagine structures before making this print. Curator: A poignant thought. This drawing embodies so much—ambition, craft and the fragile nature of creative labor. It makes one wonder, what inspired Last to portray Paxton with such gravitas? What were they like? The imagination wanders easily... Editor: Perhaps it was a commercial engagement first and foremost? Someone paying to circulate images widely through reproduced form like prints and drawings? Or Last really admired Paxton; from my point of view it's crucial we examine those networks of patronage and artistic production rather than immediately delving for inspiration. It helps keep assumptions in check. Curator: Fair enough! It’s compelling how a relatively small piece of paper and ink can speak to these huge, almost incommensurable perspectives on creativity, production, reception... I love how the work creates that bridge. Editor: Yes. I leave thinking now more about distribution and value creation in the art system rather than about biographical questions.