Paperweight by Baccarat Glassworks

Paperweight c. 19th century

0:00
0:00

glass, impasto

# 

glass

# 

impasto

# 

decorative-art

Dimensions Diam: 7 cm (2 3/4 in.)

Curator: Welcome. Here we have a delicate, small, clear glass piece entitled "Paperweight," created circa 19th century by Baccarat Glassworks. What do you think? Editor: It's incredibly contained, almost a world unto itself. The floral design encased feels precious, doesn't it? A captured moment of natural beauty. Curator: Indeed. This reflects the vogue for decorative arts in the 19th century, particularly items of bourgeois display reflecting tastes in nature and design. The Baccarat Glassworks were masters of this kind of collectible. Editor: From a structural point of view, I am drawn to the almost perfect symmetry. The way the colors pop, that impasto technique… how was that even achieved? It almost appears three-dimensional, like it might lift off the surface. Curator: The craftsmanship is, of course, exemplary. Baccarat used a technique called lampworking, melting and shaping colored glass rods over a flame before encasing it in clear crystal. They became famed for it. Editor: The layers are fascinating. What strikes me is how something as potentially mundane as a paperweight could be elevated to an object of art, suggesting perhaps aspirations for accessible beauty throughout Victorian society. Curator: Precisely! These objects reflect evolving aesthetic sensibilities and demonstrate an appreciation of craftsmanship valued amongst an increasingly affluent middle class. It's a telling example of consumer culture shaping artistic production. Editor: The play of light is subtle and remarkable as it is. Its shape begs to be picked up, looked at. To have such refined beauty readily available transforms a domestic object. I am curious, do such adornments point towards specific cultural values and aesthetics? Curator: Paperweights of this nature certainly reveal the 19th century’s deep-seated appreciation for naturalism. Flowers themselves operated as a language. Further consideration would be required to identify and clarify possible meaning, yet we see how decorative art may both signify aesthetic codes alongside class distinction. Editor: Reflecting, it demonstrates how formalism—shape, color, arrangement—serves, not as simple decor, but may also highlight significant sociocultural norms and practices.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.