Naturmort by Haroutiun Galentz

Naturmort 

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oil-paint

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fauvism

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abstract painting

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fauvism

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oil-paint

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neo expressionist

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acrylic on canvas

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expressionism

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naive art

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expressionist

Dimensions 100 x 80 cm

Curator: This vibrant piece, titled "Naturmort," is credited to Haroutiun Galentz. Notice the energetic application of oil paint which, to my eye, pushes it into a space of expressive Fauvism. What’s your initial reaction? Editor: It feels like a celebration! The bouquets, rendered with bold color and simplified forms, burst forth with a joyful energy. The bright yellow backdrop really amplifies that feeling. Do you read anything symbolic into these particular flowers? Curator: Symbolism isn't the initial pathway into this work, for me. My eye is drawn more to the tensions established between planes. The somewhat flattened perspective forces the table surface, the vases, and the flowers into almost equal visual weight. It becomes less about depth and more about the surface as an arrangement. Editor: I see what you mean. However, still lifes have such a loaded history. One might easily imagine the blooms standing in for vitality, the vessels representing the domestic sphere. Aren't we culturally conditioned to seek deeper meaning, particularly when confronted by an artwork in a recognized genre? Curator: Genre undeniably shapes reception. Yet, I believe the assertive brushwork, and the non-naturalistic color choices – that bold yellow, especially – disrupt simple symbolic readings. The picture asserts its materiality, its 'object-ness,' above all. Editor: I appreciate your close reading of form and color. To my view, the simplified, almost naive rendering enhances the sense of childlike wonder, imbuing "Naturmort" with an enduring sense of hopeful innocence. I think there is symbolic content here that feels very specific and direct. Curator: A naive innocence – a good point. It's there in the lack of fussy detail. But perhaps that very simplicity of means speaks most eloquently of Galentz's control over pictorial space, line, and, most vitally, chroma. It strikes me that that is also where the image is resolved conceptually. Editor: Ultimately, "Naturmort" gifts us both an exuberance of form and, as I maintain, a quietly optimistic statement about the beauty held in our everyday surroundings. Curator: Precisely – whether viewed through the lens of composition or culture, it's certainly a vibrant moment captured.

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