Dimensions: support: 902 x 698 mm frame: 1195 x 998 x 140 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Valentine Cameron Prinsep’s "Ayesha" features a young woman holding a large copper vessel. The contrast between the cool metal and the warm orange shawl is quite striking. What elements of the composition stand out to you? Curator: The interplay between the textures is compelling. Note how Prinsep juxtaposes the smoothness of the copper against the drapery's folds, enhanced by the light. Observe the formal contrast between the circular form of the vessel and the rectangular backdrop. Editor: That's a great point about the textures! Curator: And what about the arrangement of colour and line – how would you describe it? Editor: The warm shawl and copper vessel really pop against the darker background. It makes the subject the clear focal point. Curator: Indeed. The artist manipulates these formal elements to construct a balanced, visually engaging work. Editor: I see the painting in a new light now. Thanks for pointing that out! Curator: My pleasure. These elements are crucial to our understanding.
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This painting was first exhibited at the Royal Academy in 1887. It was widely assumed to be a portrait of Queen Ayesha, from Rider Haggard’s story, She. The novel had been published the previous year, and quickly became one of the most popular in the late 19th century. Prinsep depicts Ayesha draped in colourful fabrics, holding a copper vessel, her arms adorned with heavy silver bracelets. He demonstrates both his technical skill and powers of imagination in this representation of a woman unrestrained by the conventions of Victorian society. Gallery label, May 2019