Twee lopende mannen met een stok in hun hand, van achteren Possibly 1652
drawing, paper, ink
drawing
dutch-golden-age
landscape
figuration
paper
ink
genre-painting
Dimensions: height 103 mm, width 124 mm
Copyright: Rijks Museum: Open Domain
Curator: Here we have a drawing by Harmen ter Borch, possibly from 1652, titled "Twee lopende mannen met een stok in hun hand, van achteren" - "Two Men Walking with a Stick in their Hand, from Behind." It’s currently held in the Rijksmuseum. Editor: It’s like a snippet of daily life captured on a quiet afternoon. I find the almost hazy rendering soothing, like looking at a faded photograph, full of simple dignity. Curator: Absolutely. Ter Borch's work, especially his drawings, reveals a keen interest in depicting ordinary people and their activities. What's fascinating to me is how this piece highlights the social realities of the Dutch Golden Age. Consider the materials: ink on paper. Relatively inexpensive, and thus accessible, allowing Ter Borch to capture these scenes. Editor: And with such immediacy! Look at how economically he suggests their clothing, the set of their shoulders. It feels so lived-in. I wonder what they are talking about, what troubles they are airing in this little world. Curator: Ter Borch had a sharp eye for detail and was interested in depicting the subtle nuances of human interaction. The level of finish, or lack thereof, is notable. It seems he was less concerned with achieving a polished, refined look and more focused on capturing the essence of the moment. It’s like the labor has been elided in service to portraying lived experience, or maybe there are further artworks of similar men to find to draw further inferences. Editor: Precisely. It’s less about polished grandeur and more about conveying a raw, honest sense of life’s journey, even if that journey is…well, rather nondescript from behind! And I find this lack of artifice endearing, almost inviting. It is such an unguarded artwork to be party to! Curator: I concur! Thank you, you've provided a refreshing take on the intersection between material availability, technique and narrative possibilities here. Editor: Always happy to find the threads that bind seemingly simple drawings to richer stories.
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