Abraham Sees Sodom in Flames c. 1520 - 1525

Dirck Vellert created this roundel, "Abraham Sees Sodom in Flames," in the early 16th century, using silver stain and enamel paint on glass. The circular composition captures a biblical scene with dynamic tension. Notice how the artist uses the curve of the glass to frame the unfolding drama: on the left, Abraham and his companions, rendered in detailed monochrome, contrast sharply with the fiery, golden destruction of Sodom on the right. Vellert masterfully employs the limited palette to differentiate between the earthly and the divine. The detailed rendering of the figures and architecture versus the abstract depiction of flames destabilizes the boundary between the real and the symbolic, inviting contemplation on the nature of faith and destruction. The interplay of light and shadow, created by the silver stain, adds depth and complexity to the narrative, turning a decorative object into a profound meditation on morality and divine judgment.