Go to Paris, John, go earn your living . . . c. 19th century

Editor: This is Paul Gavarni's "Go to Paris, John, go earn your living . . .," a sketch depicting two men, presumably father and son. It feels like a goodbye scene, loaded with advice and perhaps a touch of cynicism. What do you see in this piece? Curator: It's a poignant snapshot of 19th-century social mobility, or the lack thereof. Gavarni captures that bittersweet moment of a young man venturing into the big city, Paris, with all its promises and perils. The father's words, etched below, hint at a world where survival means navigating a complex social hierarchy. Do you notice the contrast in their attire? Editor: Yes, the son looks a bit more polished, ready for the city, while the father seems worn down by rural life. So, it's about social commentary then, not just a simple farewell? Curator: Absolutely. Gavarni was a master of social observation. He uses seemingly simple scenes to expose the undercurrents of Parisian society, the hopes and harsh realities of the working class. Makes you wonder what John's fate will be, doesn’t it? Editor: It really does. I'll certainly be thinking about John's journey after this.