drawing, paper, charcoal
drawing
charcoal drawing
paper
oil painting
charcoal
watercolor
Dimensions overall: 45.7 x 38 cm (18 x 14 15/16 in.) Original IAD Object: 10 1/4" High 6 1/2" Dia.(top) 8" Dia.(base)
Curator: This captivating artwork is titled "Jar," created circa 1939 by Nicholas Amantea, employing charcoal and watercolor on paper. Editor: My initial impression is one of subdued elegance. The jar’s form is solid, almost stoic, rendered in earthy tones that feel simultaneously grounded and elevated by the blue accents. Curator: The jar as a symbol is laden with meaning—domesticity, storage, preservation. Here, Amantea contrasts the stoic utility of the jar form with the delicacy of the bird motif, an element common to pottery. Perhaps it represents the fleeting nature of life. Editor: I agree, that is very suggestive. Considering its form, I'm drawn to the restrained color palette: ochre, charcoal grey and this single accent color. It creates a study in contrasts that highlights the textures and forms with considerable nuance. Curator: Blue birds in American folk art often symbolize happiness, good luck and safe journeys. Placed on the body of the vessel, these feelings are kept within a kind of safe haven. This suggests, to me, this drawing could be invoking themes of safeguarding positive feelings in times of emotional turmoil. Editor: I see that, but that interpretation veers from my perspective. Looking closer at the image itself, I am captivated by the balance between form and void, volume and surface. The muted hues don’t overshadow the precise control over line and tone, and creates a contemplative effect. The brushwork almost elevates the mundane. Curator: And how about the '1K' stamped on the surface of the vessel, like a cultural or corporate branding? It would probably have referred to some family company who produced this stoneware piece in series. Perhaps it refers to keeping tradition and the cultural identity alive. Editor: Ah, that subtle detail offers another perspective, it reminds me that the drawing doesn’t exist in a vacuum, and that this ‘jar’ itself it meant for functional usage as much as aesthetic representation. It adds a level of contextual awareness to the drawing’s overall presence. Curator: Well, looking at it together has allowed both to consider new angles and delve deeper into this compelling drawing. Editor: Absolutely, it has shown the versatility and emotional potential held within its deceptively simple composition.
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