painting, oil-paint, impasto
portrait
painting
oil-paint
figuration
impasto
portrait art
modernism
realism
William James Glackens painted this portrait of Charles Fitzgerald. Though the exact date of the artwork is unknown, Glackens lived and worked during a time of great social and cultural change. Glackens belonged to the Ashcan School. These artists sought to portray daily life, especially in New York City’s poorer neighborhoods. Fitzgerald stands cloaked in a long dark overcoat, he has a pale complexion, a thin face, and what appears to be a grey glove on his left hand. The painting, with its somber and muted tones, captures a certain mood, an air of introspection. This portrait invites us to consider the dynamics of representation and the gaze. It’s hard not to wonder about the story of the sitter. This artwork shows that portraiture can capture more than just a likeness, it can serve as a mirror, reflecting societal values, personal experiences, and the ever-evolving narrative of identity.
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