Sitting yellow lion 

Niko Pirosmani painted this "Sitting Yellow Lion" in Georgia, using oil on oilcloth. Pirosmani wasn't formally trained; he was self-taught, and his materials often came from what was available: oilcloth, usually used for tablecloths, rather than stretched canvas. The texture of the oilcloth is evident, giving the painting a slightly rough, matte surface. The colors are earthy and rich, particularly the ochre and warm yellows of the lion's fur, which contrast dramatically against the dark backdrop. The application of paint is direct, and the forms are simplified. Pirosmani was a working artist, often painting signs for taverns and shops. His style reflects this practical background: clear, bold imagery meant to be easily read. The "Sitting Yellow Lion" has a graphic quality, almost like a symbol. It reflects Pirosmani’s engagement with a commercial context and an artistic language rooted in everyday needs, challenging traditional notions of art and its production.