Das Dorf Sloterdyk zur Zeit des Durchzuges der Truppen des Prinzen Wilhelm II von Oranien im Jahre 1650 c. 1650

Roelant Roghman created this drawing of Sloterdyk Village in 1650 using pen and brown ink with a grey wash. The work presents a seemingly tranquil scene, yet it resonates with the disquiet caused by the presence of Prince William II's troops. Consider how Roghman uses the stark contrast of light and shadow to create a visual hierarchy. He places emphasis on the village structures and the marching troops. The architecture and the military procession are rendered with clear, precise lines, which denote a sense of order and authority. Roghman destabilizes this sense of control by using a grey wash to soften the image. This evokes a sense of transience, highlighting the temporary nature of the troops' presence. The visual elements within the composition invite us to reflect on the power dynamics at play. We may consider how Roghman's use of light and shadow functions as a cultural code, reflecting broader philosophical and artistic concerns of his time. The drawing does not simply depict an event, it engages with questions of authority and the temporary nature of control.