Paris and Helen (Anonymous Tracing after d ’Hancarville) by Jacques Louis David

Paris and Helen (Anonymous Tracing after d ’Hancarville) 1770 - 1785

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drawing, print, pencil

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portrait

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drawing

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neoclacissism

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print

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figuration

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ancient-mediterranean

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pencil

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line

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history-painting

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nude

Dimensions Sheet: 12 in. × 19 1/2 in. (30.5 × 49.5 cm) Framed: 14 1/2 × 21 3/4 in. (36.8 × 55.2 cm)

This drawing, "Paris and Helen" is by Jacques Louis David, one of the most influential French artists of the Neoclassical style. The drawing is an anonymous tracing after d’Hancarville. David was active during the French Revolution; his art often reflected the political and social upheaval of the time. He actively participated in the revolution, as he was a member of the National Convention, and a friend to Robespierre. Here, the figures from Greek mythology are rendered with a classical restraint, echoing the era’s interest in antiquity. But more than just an aesthetic exercise, this piece engages with themes of desire, beauty, and conflict. Consider Helen's role as both a symbol of ideal beauty and a figure of contention, whose abduction ignited the Trojan War. The emotional undercurrent of the piece lies in this tension between beauty and its consequences. David's work often encouraged viewers to reflect on the relationship between personal passions and collective destinies. It invites us to consider how individual choices can ripple outwards, shaping not only personal lives but also the course of history.

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