The Funerary Monument of Maria Christina of Austria 1812
karljosephaloysagricola
natural stone pattern
naturalistic pattern
loose pattern
geometric pattern
subtle pattern
abstract pattern
minimal pattern
organic pattern
pattern repetition
layered pattern
This marbled paper cover, created by Karl Joseph Aloys Agricola in 1812, was originally designed as part of the Funerary Monument of Maria Christina of Austria. The swirling pattern of red, blue, brown, and gold, creating a dynamic and intricate design, likely represented the complexities and significance of the monument itself. While the image is of the cover of the monument, the overall design of the monument would have likely been much more elaborate, reflecting the importance of the deceased. This piece provides insights into the aesthetics of funerary art in the early 19th century.
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The Viennese painter and printmaker Karl Agricola reproduced Canova’s monument for Maria Christina in six etchings. The last sheet depicts the sculpted girl with a torch entering the tomb. As the viewer, we see her as though we were actually in the tomb ourselves; a visual invention worthy of Canova.
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