Fannie Batchelder, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes by W. Duke, Sons & Co.

Fannie Batchelder, from the Actors and Actresses series (N145-8) issued by Duke Sons & Co. to promote Duke Cigarettes 1890 - 1895

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print, photography

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portrait

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pictorialism

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print

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photography

Dimensions Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)

Editor: This is a photograph of Fannie Batchelder from the Actors and Actresses series, dating from 1890 to 1895. It's a print, created by W. Duke, Sons & Co. The sepia tone gives it a dreamy, almost romantic feel. What strikes you most about this piece? Curator: Well, seeing this image, it's crucial to understand it's not simply a portrait, but a promotional object. These were essentially advertisements packaged with cigarettes. Knowing this, how does it shift our understanding of Fannie Batchelder’s image and agency? Editor: That's a great point. It definitely complicates things. It makes me wonder about the power dynamics at play. Curator: Precisely. Consider the late 19th century context: emerging consumer culture, the burgeoning entertainment industry, and women’s increasing, albeit still limited, visibility. These cigarette cards were part of a broader visual economy. What does it mean to have Fannie Batchelder, a performer, commodified and distributed in this manner? Does it empower or objectify? Editor: I guess it could be both. She gains recognition, but it's tied to a product. The image also seems to conform to beauty standards of the time, a kind of soft, feminine ideal. Curator: Exactly. And that ideal is, itself, a social construct shaped by Victorian expectations. Consider the flowers she holds. They’re a conventional symbol of femininity, but might also hint at the performative aspect of her identity. Were these choices made by Batchelder, or were they imposed upon her by the company? What might her motivations have been for agreeing to be featured on these cards? Editor: So, it is more than just a pretty picture. It's a cultural artifact reflecting complex social forces. I hadn't thought about it that deeply at first. Curator: Precisely! It urges us to question whose stories are being told and how they're being told through images like this one. Editor: It’s fascinating how much can be unpacked from a simple cigarette card. Thank you for showing me how to view this image with a critical lens.

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