St. Joris 1922

Editor: This is Bernard Willem Wierink's "St. Joris," created in 1922. It's an intaglio print, so a type of engraving. I find it pretty dark and intense. There is Saint George apparently fighting the dragon. It all seems to blend. How do you interpret this work? Curator: This print, like much art from the early 20th century, reflects a society grappling with the aftermath of war and profound social changes. We see traditional iconography being questioned, St. George as the protector, perhaps is less the victor and more engulfed by the turmoil, almost one with the Dragon. Editor: One with the dragon? I hadn't considered that. Curator: Consider how institutions historically used figures like St. George. Was it to inspire courage or justify domination? Wierink lived through World War I; would the idea of nationalistic fervor ring true in that light? It's about good and evil or simply a conflict in the inner self. The chaotic lines and ambiguous figures suggest the latter. Do you notice how the horse almost fades? Is this St. George weakened or triumphant? Editor: So, you are thinking that the work represents not just a biblical subject, but an examination of political ideology at the time it was created? Curator: Precisely. Wierink’s 'St. Joris’ becomes a stage for broader discussions around power, conflict, and perhaps the illusion of heroism. Museums have often reinforced specific historical narratives through such depictions; however, Wierink offers a critical perspective on these long held interpretations. Editor: That is powerful! I definitely see more than a religious symbol now, considering the historical and institutional aspects of how such images were displayed and the intent behind them. Thanks! Curator: It’s fascinating how context reshapes our understanding, isn't it? It challenges us to see beyond the surface narrative and question the very structures that give meaning to art.