Naturaleza Muerta a La Guitarra 1918

María Blanchard’s “Naturaleza Muerta a La Guitarra” is all sharp angles and deep, earthy hues. Imagine the studio—probably a small, simple space—as Blanchard breaks down these everyday objects into geometric forms. I feel her in the way she looked at Braque and Picasso and asked herself how she might take it further, this cubist language, to make it truly her own. It’s like she’s saying, ‘Okay, I see what you’re doing, but let me show you something else.’ The painting isn’t just about shapes; it's about reorganizing the world with intention. The deep browns and reds create a kind of intimacy. It’s like a stage set, isn’t it? The guitar, with its hints of red, is more than an instrument; it’s a character, a performer in this silent play. Blanchard’s work always feels like a daring conversation with herself and the canvas, and that makes it exciting to look at, even now.