-Lindy Bank- still bank c. 1927

Curator: Let's talk about the "-Lindy Bank- still bank," a bronze sculpture by Grannis and Tolton, Inc., created around 1927, during the height of aviation fascination. Editor: Bronze always makes me think of something strong and enduring, and the patination on this piece enhances that effect. It seems... determined, somehow. Curator: Yes, it certainly embodies that pioneering spirit of the era. We have to remember how Charles Lindbergh, nicknamed "Lindy," captured the world's imagination with his transatlantic flight just before this piece was made. Editor: It’s a powerful image! I see strong geometric forms combined with stylized realism, almost verging on Art Deco. Curator: Exactly. Consider the way it memorializes him not just as an individual, but also embodies broader themes of progress and American heroism so common in art in public spaces. Aviation was revolutionary then, democratizing travel while conjuring dreams of progress in peacetime. Editor: And yet, even with that celebratory intent, there's a subdued quality. The expression in their eyes seems almost solemn. What’s up with that? Curator: Perhaps there’s a deeper recognition of the inherent risks, but ultimately it taps into the image that circulated of him in mass media. Its function as a bank should be recognized. Commemorative objects create cultural identity, but also encourage a savings culture which was on the rise at the time, shaping identity around commodities and aspirational self-expression. Editor: The artist successfully integrated the modern age, the sleek design of the sculpture—its texture—and its intended role of saving and acquiring into the piece. Its cultural role can also be felt just through viewing it. It is great seeing art in public life, and something for people to enjoy for many years to come. Curator: And in understanding that blend of factors, we better understand its place in American culture. Thanks for lending your formalist eye to the dialogue!