Berggezicht c. 1850 - 1880

Editor: So, here's a striking albumen print, "Berggezicht" by F. Gadajew, created sometime between 1850 and 1880. The mountains and muted tones give it such a serene, almost wistful feeling. What’s your take? Curator: It's a fascinating piece, particularly when viewed through a historical lens. The rise of photography coincided with burgeoning empires and increased global exploration. Do you see how these stereo prints became incredibly popular? Editor: Yes, there are two similar photos put together, almost as one. Did that give them a specific purpose back then? Curator: Precisely. The doubled images mimic stereoscopic vision creating a sense of depth and realism that was revolutionary. Consider the accessibility it offered. Ordinary people could experience far-off landscapes and cultures from their parlors. How do you think that influenced ideas of nationhood and empire? Editor: I imagine it would foster a sense of ownership or connection to those distant places. It definitely makes the world seem smaller, in a way that maybe wasn’t always beneficial. It could lead to a sense of cultural superiority too? Curator: Exactly. And photography itself was becoming a powerful tool in constructing narratives about other cultures, sometimes reinforcing stereotypes and justifying colonial ambitions. The circulation of these images shaped perceptions, often reflecting the dominant political ideologies of the time. Does knowing that shift your initial reading of this artwork? Editor: It does. That feeling of serenity I got is definitely complicated by thinking about what this image was actually used for, and who it was meant for. It makes me look at it with a much more critical eye. Curator: I find that exploring the historical and social context of art expands and enriches the interpretation.