Portret van Anne-Louise-Christine de Foix de la Valette d'Epernon 1652 - 1707

This is Gérard Edelinck’s Portrait of Anne-Louise-Christine de Foix de la Valette d'Epernon, made sometime in the 17th century. The print’s composition, encased in an oval frame, immediately draws the eye to the sitter. Observe how the formal structure of the print employs a semiotic system. The sitter's attire, a religious habit, paired with the crown of thorns held delicately in her hand, speaks to the cultural codes of piety and devotion. The structure and medium function aesthetically and within a larger cultural discourse. Edelinck uses contrasting textures, from the smooth skin of the face to the detailed folds of the habit, to create visual interest, which enhances the symbolic weight of the image. The inscription at the bottom, a quote from Saint Paul, reinforces these themes. The artist’s formal choices in structuring this portrait directs us to contemplate the relationship between representation, identity, and belief during the period. The use of line, texture, and inscription invites ongoing interpretation and re-interpretation.