Petit Courrier des Dames, 1827, No. 494 : Redingote en sting (...) by Anonymous

Petit Courrier des Dames, 1827, No. 494 : Redingote en sting (...) 1827

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drawing, print, paper, ink

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portrait

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drawing

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print

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dog

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traditional media

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figuration

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paper

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historical fashion

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ink

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romanticism

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sketchbook drawing

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genre-painting

Dimensions height 206 mm, width 124 mm

Curator: We are examining an interesting print, "Petit Courrier des Dames, 1827, No. 494: Redingote en sting..." It appears to be ink on paper. Editor: Yes, this fashion plate strikes me as incredibly self-assured. There’s something about the almost severe geometry of the cut of his coat and the cool gaze he directs outward, and how this linearity is juxtaposed with the curves of the dog and the swirling shrubbery in the background. What formal elements jump out at you in this image? Curator: The print immediately invites a discussion of line and form. Notice how the artist uses precise, almost architectural lines to define the clothing. This is contrasted by the more organic curves in the landscaping. Do you observe the artist's intentional juxtaposition of these elements to create a visual dialogue between the artificial and the natural? Editor: I do. The straight lines of the coat versus the rounded shape of the dog's tail creates a visual tension. Also, the figure is so dominant in the frame, his imposing height making us focus on the silhouette that almost creates a division in the scenery in the back. Curator: Precisely. And let us consider the coloring. The artist makes bold use of a primary colour – cobalt blue, likely created through layering. The colour provides further emphasis of his shape to emphasize his dominance of the composition. What is your feeling regarding the distribution of the tonal range of values, from light to dark? Editor: I hadn’t thought about the tonal range. I suppose there is something subtly satisfying about how balanced the value scale is – there’s nothing particularly jarring or extreme; everything is kept on the pale side to keep our eye on the cut and form of his jacket. Curator: Exactly. In looking closely at the work, we can observe an intelligent composition through strategic forms, line work, and an expertly balanced colour palette. The visual result emphasizes an elegant image. Editor: Absolutely, examining it this way shows that it's more than just a pretty fashion plate, there's deliberate construction that reveals an adherence to underlying design principles.

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