Upturned Head of A Man; verso: Clasped Hands c. 17th century

Editor: Here we have Nicolas Mignard’s "Upturned Head of A Man"– a red chalk drawing. The upward gaze really commands attention. What do you see when you examine this portrait? Curator: Note the masterful use of line. Mignard’s cross-hatching defines the form and creates volume. The verso reveals ‘clasped hands,’ suggesting a dual study in expression. The texture of the paper itself contributes to the overall aesthetic, does it not? Editor: Absolutely, that subtle texture adds depth. I hadn't considered the drawing on the back as an integral part. Curator: Indeed. The deliberate composition and line work speak volumes, regardless of subject. The inherent quality of Mignard's technique is paramount. Editor: I’ve definitely learned to appreciate the technical skill.