Brief aan August Allebé by jonkheer Barthold Willem Floris van Riemsdijk

Brief aan August Allebé Possibly 1911 - 1916

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drawing, paper, ink

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drawing

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paper

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ink

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calligraphy

Curator: Today we are observing a work titled "Brief aan August Allebé" attributed to Jonkheer Barthold Willem Floris van Riemsdijk. The letter is dated possibly between 1911 and 1916. Its structure is deceivingly minimal. It's ink on paper—simple enough, right? Editor: It evokes something beyond simple; it whispers of forgotten intimacies. The page has softened like aged parchment, but I almost see more than black ink on a dull surface. Curator: Well, consider the texture. Look closely, can you trace the individual lines? They vary in thickness—suggesting the artist altered the pressure to affect visual importance, and they're deliberate, formal, yet imperfectly elegant. See the delicate contrast with the creamy paper? The artist plays with line quality and value to orchestrate a controlled, precise composition. Editor: But that’s only if you consider the script's structural component. The material elements reveal intimacy through their very being! A casual glance turns to something almost spiritual in these loops. The imperfection dances and leads my eyes, and it suggests spontaneity. It pulls the humanity from these austere times! I also perceive a tone: "Have you placed it somewhere higher?" Is this flattery or... challenge? Curator: A clever point. However, it might be imprudent to interpret the artist’s underlying psychological motivations here; consider only how formal analysis, using this very human element—writing—lends new perspective on intent. Semiotics play on these factors with the page working to act like one plane; with many depths from variable stroke types… The line on which it is signed off—to indicate its value! Editor: Agreed—although there remains a feeling, almost synesthetic, something of old spice... It's a powerful message; one I suspect any friend might wish to hear. The paper and text, conjoined, seem greater than their sum in total impact. Curator: That neatly reflects the conceptual dichotomy this piece displays through line and light! A fitting consideration! Editor: Perfectly placed observation. Indeed.

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