Portret van een man met snor by Edmond Sacré

Portret van een man met snor 1880 - 1890

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photography, gelatin-silver-print

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beige

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aged paper

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antique finish

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toned paper

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earth tone

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photo restoration

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photography

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historical photography

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brown and beige

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yellow element

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gelatin-silver-print

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gold element

Dimensions height 85 mm, width 51 mm

Editor: Here we have "Portret van een man met snor" or "Portrait of a man with a mustache," a gelatin silver print from between 1880 and 1890 by Edmond Sacré. It feels like stepping into a bygone era, seeing this dapper gentleman in his formal attire. What cultural memories does this image evoke for you? Curator: Immediately, I see the echo of the burgeoning middle class. This carefully crafted image isn't just a likeness, it's a symbol. The mustache, the suit, even the slight air of self-importance – these all speak to a rising social stratum striving for respectability. Notice how the oval frame, often gilded, mimics the shape of a cameo. It lends an air of aristocracy to a man who likely made his fortune through industry or commerce. What psychological impact might this crafted image have had on both the subject and the viewer at the time? Editor: That’s fascinating. I hadn't considered the aspired symbolism within the composition. So, you’re saying it was less about pure representation and more about constructing an identity? Curator: Precisely! These early photographic portraits became a vital tool in constructing and solidifying social identity. The symbols embedded are not merely superficial, but acted as a sort of visual shorthand, communicating values, aspirations and status to anyone who viewed it. What kind of continuity can we draw between this impulse and how we present ourselves today in digital media? Editor: That’s a powerful connection to make. Now I see that it isn’t just a portrait; it’s a constructed narrative, and I can see how relevant those constructs still are today. Thanks for shedding light on the layered meaning of this piece! Curator: It is important to realize that every image tells many tales. We simply need to discover how to listen.

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