print, watercolor
water colours
landscape
winter
watercolor
coloured pencil
genre-painting
Dimensions height 345 mm, width 443 mm
Curator: "Ijsvermaak," or "Ice Entertainment," is a delightful chromolithograph produced sometime between 1875 and 1903 by Jan de Haan. Editor: My immediate impression is pure winter cheer. The scenes feel quaint, with a lovely interplay of color across the panels that really brings a sense of joy to this depiction of various people enjoying an outdoor setting in snowy weather. Curator: Yes, the arrangement of these vignettes really highlights the role of winter leisure in late 19th-century Dutch society. You can see families together, children playing, and skaters showing off their skills. It all conveys a specific social atmosphere—one of relative comfort and availability of leisure time. This print, part of a series aimed at children, also communicates very specific cultural norms around play. Editor: Indeed, each of the individual compositions uses strong horizontal lines which contribute to a sense of stasis. But this is offset by dynamic diagonal elements within each scene—think of the skaters, or the kids playing in the middle scene. It creates a charming contrast and really holds my attention. Curator: And I think that tension is at the heart of genre paintings like this. They’re depicting these seemingly straightforward, happy moments, but beneath that, there are often unspoken assumptions. Who has access to this leisure? What does it mean to represent this kind of scene at a time of broader social change? These images did not exist in a vacuum; these representations shaped perspectives on appropriate behaviour and values. Editor: Absolutely. Looking at the textures, too, there's an interesting contrast between the smoothness of the ice and the rougher textures used for the snow-laden trees and architecture, don't you think? These varied textures really give depth to an otherwise quite flat composition of printed pigments on paper. Curator: Exactly, the formal techniques always operate in relation to how it gets framed within particular social constructs. How the scenes and materials come to function culturally is important in an analytical viewing, I think. Editor: Well, I appreciate this little journey through "Ijsvermaak." It's fascinating how an image so seemingly simple can spark such multifaceted views. Curator: Agreed. It is just as interesting to observe the painting's structure as the period context and how it circulated. A complete understanding considers both viewpoints!
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