Schapen en geiten onder een boom by Charles II Errard

Schapen en geiten onder een boom 1616 - 1689

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print, etching

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baroque

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animal

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print

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etching

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old engraving style

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landscape

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figuration

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genre-painting

Dimensions height 150 mm, width 191 mm

Editor: This is "Schapen en geiten onder een boom," or "Sheep and goats under a tree," dating from the late 17th century. It's a print, an etching, by Charles II Errard. It’s… surprisingly peaceful, almost pastoral, for something rendered in such sharp detail. All these animals huddling under the tree. What strikes you about it? Curator: The peace you mention, that sense of pastoral idyll, is potent. But consider the tree, its branches heavy, almost protective. What does that symbolize to you, beyond simple shelter? Editor: Security, maybe? A safe space? Curator: Precisely. And safety from what? Think of the 17th century, its religious wars, its constant anxieties. Does the huddled mass of animals evoke a community seeking refuge? Is this tree a symbol of something larger, perhaps the Church, or even a benevolent ruler? Consider, too, the very distinct renderings of the sheep versus the goats. What qualities are emphasized and what might those associations be? Editor: The sheep do seem more… passive. Less defined. While the goats are darker and much more sharply defined by contrast. Were sheep seen as inherently more docile during this era and goats as something, dare I say, more sinister? Curator: The symbolism of sheep and goats has a very long history and is complex! Even within religious contexts it can depend on the precise community, location and imagery. You're not far off to note that this could have strong significance in 17th century European cultural memory! Visual cues such as the details of how the tree is depicted would be key to unlock the intended messaging from the work! The contrast certainly suggests a reading along those lines. Think about the viewer and where and how they would see the work in that period, that could assist you in piecing the puzzle together... Editor: Wow, I hadn’t even considered that. Now I'm seeing all sorts of possible interpretations. The animals aren't just animals; they represent ideas, fears, hopes… Curator: Exactly! And the beauty of art lies in deciphering those visual codes. It makes the experience timeless. Editor: I'll definitely remember to look closer at the details and to always ask questions. It's more than just what’s on the surface, I guess.

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