Untitled [New Orleans and the Gulf Coast, 2005] by Richard Misrach

Untitled [New Orleans and the Gulf Coast, 2005] Possibly 2005 - 2010

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Dimensions: image: 27.62 x 36.83 cm (10 7/8 x 14 1/2 in.) sheet: 28.89 x 38.1 cm (11 3/8 x 15 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: Richard Misrach’s “Untitled [New Orleans and the Gulf Coast, 2005],” a photograph potentially taken between 2005 and 2010, depicts a brick house with boarded-up windows marked with graffiti. The word "RESCUED" is clearly visible, along with other markings and a smiley face. It's…stark. What symbols resonate with you most profoundly in this image? Curator: The overlay of seemingly random graffiti atop the boarded-up windows speaks volumes. Consider the house itself: a solid, traditional brick structure. Now, envision that house after a cataclysm, like Hurricane Katrina. The boards are not merely wood; they're shields, yes, but also canvases. Editor: So, the graffiti acts like a kind of… visual scream? Curator: Precisely. “Rescued,” prominently scrawled, contrasts starkly with the boarded window – was it a promise, a plea, or a declaration? Note, too, the smiley face below. Does it signal hope, resignation, or even ironic detachment? These are the raw, unfiltered expressions born from trauma. It's urban vernacular articulating deep anxieties. It evokes the cultural memory of a city’s struggle. The text almost acts as runes. Editor: That’s fascinating. The juxtaposition of that innocent, almost childlike, smiley face with the desperation of the situation really hits hard. What of the more chaotic markings? Curator: They speak to the loss of order, to the societal disruption wrought by the disaster. Think about it – each tag, each X, overlays the house itself. It marks this domestic space. They also recall Paleolithic cave paintings; an unconscious desire to rebuild what has been lost through graphic representation. Editor: I never would have seen all of that! Thank you for unlocking those layers. It really changes how I view the image. Curator: It highlights how tragedy imprints itself on the landscape, turning everyday spaces into potent visual texts for us to decipher. It invites deeper reflection on trauma, resilience and remembering through urban art.

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