Hier ziet gy / ô jonge jeugd! in deeze nieuwe prent / Vier dieren afgebeeld na 't leven pertinent c. 1760 - 1767

Editor: This print, entitled "Hier ziet gy / ô jonge jeugd! in deeze nieuwe prent / Vier dieren afgebeeld na 't leven pertinent" by J. Ratelband en J. Bouwer, dates to between 1760 and 1767 and is created through engraving. What jumps out to me is the organization of the four panels and how each depicts an animal, almost like a series of studies. What do you see in this piece? Curator: Formally, this engraving exemplifies the baroque emphasis on intricate detail and dynamic composition. Observe how the artists utilize line – the density and variation – to articulate form and texture. Each animal panel is, in essence, a study in contrasts, wouldn't you agree? The deliberate use of cross-hatching creates tonal variations and contributes to the overall sense of movement and volume. Note, as well, how the frame is a part of each panel, each has its own characteristics and yet contains the animal form perfectly. Editor: Yes, I notice the distinct lines creating depth, it's interesting given the flatness of the print. Why choose to showcase four animals like this in separate frames? Curator: It raises a valid point. Perhaps the arrangement alludes to a structuralist principle, presenting a categorical arrangement typical of early scientific illustrations and broadsides. Each frame confines and, at the same time, liberates the beast to its own internal construction of lines. It encourages a close examination of form and materiality, which moves us away from external narratives. Editor: So, focusing on the lines and composition helps us appreciate the structure and technique behind the artwork? Curator: Precisely. By engaging in this formal analysis, we start to discern the artist's intent and approach to constructing these images as artistic arrangements, where the line and composition dictate what they are showing and doing. It certainly shifted my understanding of it. Editor: It has been interesting seeing how much meaning you can unpack just by analyzing the line and layout and without the historical context! Thank you.