De dood van de rijke man en van Lazarus 1593

Editor: This engraving by Wierix, titled "The death of the rich man and Lazarus," dates from 1593 and is held at the Rijksmuseum. The composition feels very theatrical, almost staged. What kind of commentary do you think the artist is making with this piece? Curator: It's a potent image, isn't it? Notice how Wierix uses the visual language of the time to explore the spiritual destinies of these two figures. The rich man, surrounded by demons, is literally being pulled towards Hell, a chaotic vortex depicted in the background. But contrast that with Lazarus, escorted by angels towards the light of Heaven. Wierix is employing common religious symbols, the stark contrasts heightening the moral message. Consider the sleeping dog at the feet of the mourners – even an animal can't ease the pain. Editor: So, these familiar symbols are a way to emphasize a familiar message? Curator: Exactly. And this wasn't merely a simple illustration of religious dogma, this speaks to cultural anxieties regarding wealth, poverty, and divine justice during a period of significant social change. The choice of imagery and how Wierix portrays that ultimate judgement are the cultural continuities that reinforce these established doctrines. Where do you feel your eye is drawn when you look at the print? Editor: Definitely to the bed and the activity happening there with the angels and demons tugging. It is all in that immediate space. And then maybe, where they are headed: upwards to Heaven, or downwards into Hell. Curator: A good observation, the division of space reinforces that core duality! Notice how Wierix structures this divide, presenting a rather binary choice for viewers. But are there any more subtle commentaries woven through? Editor: Hmm, I need to think about that more. I learned to really read what I see rather than just look at a familiar narrative and take it for granted!