Smeedijzeren kroonluchter uit de Sint-Pieterskerk in Bastenaken, opgesteld op een tentoonstelling over religieuze objecten uit de middeleeuwen en renaissance in 1864 in Mechelen 1864

Editor: Here we have a photograph of an iron chandelier from the Sint-Pieterskerk in Bastenaken, captured by Joseph Maes in 1864. It was displayed at an exhibit of religious objects dating back to the medieval and renaissance periods. It has such a formal, historical aura – almost frozen in time. What resonates with you most when you look at it? Curator: You know, it whisks me away! I feel the solemn stillness of a church, the dim light catching on the cold iron. Imagine the blacksmith who forged this, shaping metal with fire and faith. Each curve and flourish whispers tales of devotion. And, capturing it in a photograph, almost feels like trying to catch a dream, doesn't it? Editor: A dream… that's lovely. The level of detail is incredible. Do you see any symbolic meanings in its design? Curator: Absolutely! Notice the bird figure atop? It could symbolize the Holy Spirit, or a soul ascending. The branching arms holding the candles – each a point of light pushing back the darkness, a beacon of hope. Do you get a sense of the craftsmanship? Editor: It does seem incredibly elaborate. Seeing something functional elevated into fine art like this gives a glimpse into another time. I had never considered how much artistry could be put into a lighting fixture. Curator: And in photographing it! Maes wasn't just documenting; he was making art about art. He made us ponder the passage of time and our connection to the past. It really is rather special, isn’t it? Editor: It is! I appreciate how the photo really transports us back. I will never look at a chandelier the same way again!