California-nevel by Edward Emerson Barnard

California-nevel Possibly 1895 - 1899

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print, photography

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still-life-photography

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print

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landscape

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photography

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academic-art

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realism

Dimensions height 142 mm, width 101 mm

Editor: Here we have Edward Emerson Barnard’s "California-nevel," possibly from the late 1890s. It appears to be a photograph reproduced as a print in a book about astronomy. It strikes me as quite humbling, seeing something so vast and distant captured in this old book. What do you see in this piece? Curator: I see more than just a picture of a nebula; I see a portal to understanding the social and historical context of scientific exploration at the fin de siècle. This image, appearing within the pages of a book, speaks volumes about access to knowledge and the democratisation of science. Who had access to these ideas and images, and what impact did that have? Editor: So, you are suggesting it's not just about the nebula itself, but also the book as a medium? Curator: Precisely! Think about the rise of scientific discourse and how it intersected with artistic representation. Barnard, though a scientist, chose photography – an artistic medium – to depict this nebula. What does this tell us about the perceived objectivity of the photographic lens versus the subjectivity of other forms of representation, like painting or illustration at the time? Editor: I hadn’t thought about that. The choice of medium definitely adds another layer. It makes me wonder if people saw it as purely scientific documentation or something more artistic, too. Curator: Exactly! Furthermore, how does the romanticism of astronomical discovery, inherent in such images, tie into larger narratives of exploration, colonialism, and the human drive to conquer new frontiers, be they terrestrial or celestial? By acknowledging these intersections, we can move beyond the simple beauty of the image. Editor: This has given me so much more to think about – about how art and science were perceived and consumed back then and about the connections between knowledge, power, and representation. Thanks! Curator: And I’m reminded how crucial interdisciplinary perspectives are. By questioning these histories and considering different viewpoints, we challenge what we thought we knew.

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