Gezicht op Pont Aberglaslyn te Gwynedd before 1899

This photogravure print of Pont Aberglaslyn in Gwynedd was created by G. Thomas around the turn of the 20th century. Its appearance in a book speaks to the democratizing impulse of photography at the time. It reflects a broader effort to bring art and visual information to a wider audience through mass reproduction. The picturesque scene is framed within a book, suggesting the photograph's role as a portable window onto the world. Made in the United Kingdom, this photograph reflects the Victorian era's fascination with landscape and its use in promoting national identity and tourism. The presence of a public library stamp is a reminder of the institutional context that made the image accessible to a wider audience. The print’s inclusion in a book signals photography’s growing acceptance as a medium worthy of scholarly attention and public display. To understand the print, one might consult census records to learn about tourism in the region, or delve into the history of public libraries and their role in disseminating visual culture. The meaning of this print is contingent upon its specific social and institutional context.