Study for ‘La Lucertola’ c. 1963

Editor: This is William Roberts's "Study for ‘La Lucertola’" from the Tate. The figures feel monumental, almost like a frieze. What strikes you about this piece? Curator: The overt classicism is interesting, isn't it? Roberts positions everyday subjects within the visual language of grand historical painting. The grid itself suggests a conscious construction of the image, a careful controlling of the narrative, wouldn't you agree? Editor: Definitely, it makes me think about how artists elevate the mundane. Curator: Precisely. By using these formal techniques, Roberts asks us to reconsider the subjects themselves and what we assign importance to. It makes you consider the politics of imagery, doesn't it? Editor: I never would have thought of it that way. Thanks for your insight!