X-radiograph(s) of "Head of Christ" 

Curator: Here we have an x-radiograph of the "Head of Christ", attributed to Gerard David. Isn't it fascinating how modern technology reveals the layers beneath a masterpiece? Editor: It's like a ghostly echo! I'm immediately struck by how fragile and veiled the image appears, almost as if we're peering through time itself. Curator: Precisely! The x-ray unveils the panel's structure and the artist's process, the underpainting, the corrections… It shows the painting's hidden life. Editor: And that grid, like a kind of screen or window—it adds a layer of both protection and constraint to the image. It speaks to the scrutiny and reconstruction of historical images. Curator: True. The radiographic medium transforms a devotional object into an object of scientific inquiry, a cultural artifact laid bare for examination. Editor: It's strangely moving, this dissection. As if, in stripping away the surface, we're confronted with both the endurance and the vulnerability of faith. Curator: A delicate tension indeed, between reverence and revelation. Editor: It reminds us that images, even the most iconic, are never fixed, but always evolving in our perception.