Sacrifice of Noah 1622 - 1703

Lazzaro Baldi made this study, Sacrifice of Noah, using pen and brown ink with gray wash over black chalk. The grid of red chalk beneath the drawing is crucial; an aid, it helped Baldi transfer his initial design into the larger cartoon or final painting. The drawing offers a glimpse into the artist’s working process. We see him experimenting with composition and form, using the qualities of the media to bring forth its inherent capabilities in texture, tone, and depth. The pen strokes create a sense of dynamism, and the use of wash adds depth and volume to the figures, giving them a sense of weight. Baldi’s technique showcases his understanding of draftsmanship, and his skilled hand brings a sense of life and movement to the scene. In the studio system of the 17th century, drawings like these were crucial steps in the production of paintings. These are not casual sketches, but rather, records of labor, each line a testament to the artist’s skill and dedication to his craft. By recognizing the labor of artistic production, we gain a deeper appreciation for the final work, questioning traditional art and craft distinctions.