Untitled 

Javad Hamidi, created this Untitled work using oil, producing a composition dominated by soft, organic forms and warm hues. At first glance, the painting presents an ambiguous landscape, yet upon closer inspection, we see suggestions of the human form, seamlessly merging with the terrain. Hamidi employs a palette of earth tones, predominantly browns and oranges, to blur the line between the body and the earth. The composition is structured around these undulating shapes. The artist challenges traditional notions of representation. Are we looking at a body or a landscape, or something in between? This ambiguity invites us to question the boundaries between the human and the natural world. The painting can be viewed as a semiotic exercise, where Hamidi uses recognizable forms, yet destabilizes their conventional meanings. The overall effect is a destabilization of meaning, asking us to consider our relationship with the body and the earth.