The Punjab Medal of 1848 and 1849 1849

Editor: This is The Punjab Medal of 1848 and 1849, made in 1849 by William Wyon. It's a bronze medal, and it has such a solemn feel. I'm intrigued by its stark simplicity. What do you see in this piece? Art Historian: Well, isn't she a commanding presence in such a small space? For me, medals are tiny time capsules. They hold history but also a mirror to how a society wished to see itself. Editor: How so? Art Historian: The choice of Queen Victoria, for example. It says, 'Here is stability, here is empire'. This isn't just bronze; it’s a statement, a carefully crafted narrative cast in metal. Look how her gaze is fixed forward - strong jaw line. And those delicately engraved details – her tiara, the curls of her hair! Almost photographic. Editor: It seems like such a celebration of her. I guess I had not thought of it being political too. Art Historian: Every image of power is a political act, wouldn’t you agree? And consider the purpose – this was given to those involved in the Punjab campaign. Medals were an incentive to continue working and a reminder of how their effort helped contribute to England’s global power, wrapped in artistry, of course. Do you think that the beauty changes your perspective? Editor: It definitely adds another layer. I can see this piece as less 'objective history' now. Art Historian: Exactly! Now imagine the medal’s weight in your palm. It would be more than bronze, wouldn't it? Almost the weight of history! Editor: I am going to remember that: A weight of history in the palm of my hand. Thanks for illuminating so many different elements!