Dubbelloops vuursteenjachtgeweer c. 1815 - 1822

Curator: At first glance, its rigid linearity is rather striking, wouldn’t you say? Editor: It certainly has an imposing severity about it. Is that…a rifle? Curator: Indeed. This piece, a double-barreled flintlock hunting rifle, dates back to the early 19th century. It was crafted, as best we can tell, between 1815 and 1822. The master craftsman behind it was Jean Joseph Tomson, as noted in the museum's documents. The piece employs mixed-media, including a good deal of metal and carved wood. Editor: It is so interesting that, even stripped of its context, it communicates something about status and power dynamics of the time it was crafted. I wonder who wielded this piece? Curator: That is quite pertinent, as this form would have signaled a certain level of affluence—sport being generally limited to wealthier circles and the fact of needing the item at all signals domination over animal life. It has a strong association with leisure and, by extension, privilege. Looking more closely, the craftsmanship reflects the wealth too; there's a lot of fine detailing inlaid within the stock of the rifle near the trigger. Editor: The symmetry in its construction is pleasing. You’ll also note, for a weapon, the detailing provides quite an elaborate sense of artistic style, it also has some textural elements as well; especially at the barrel near the flint mechanism where it changes so abruptly. You get some clear indication that this was a weapon as much for art and display, as well as being made for usage. Curator: A telling point. Consider the double barrel as well, it amplifies the potentiality of such item—signalling double damage or the implication of hunting even greater creatures. To be able to inflict pain and to be seen doing so must be the function. Editor: Well, pondering such matters makes this, simply, an engaging piece to think on. Thanks! Curator: Agreed! The convergence of aesthetic refinement and stark utility gives it an undeniable intrigue.