Pa. German Ceramic Horse c. 1938

Here's a Pa. German Ceramic Horse made by Carl Strehlau. Look at the rich, earthy tones of the ceramic, rendered here in watercolor. I can almost smell the kiln! Imagine Strehlau, born in the mid-19th century, carefully studying this object, trying to capture its form and texture with brushstrokes. What was he thinking as he painted? Was he admiring the craftsmanship, or perhaps reflecting on the traditions and cultural heritage embodied by this handmade object? Notice how he pays particular attention to the details - the smooth curves, the decorative elements. The way the light catches the glazed surface. See how the muted palette evokes a sense of nostalgia, reminding us of a time when everyday objects were imbued with artistry and care. Artists are always in conversation with one another across time. Each of us inspires the next, our creativity sparking new ideas and perspectives. Painting, like ceramics, is an embodied form of expression. Embracing ambiguity allows for multiple interpretations and meanings, and there's no definitive reading of art.