Chang'an [right of a pair] by Kameda Bōsai

Chang'an [right of a pair] 1818

ink-on-paper

hand writing

hand written

hand-lettering

hand drawn type

hand lettering

japan

ink-on-paper

hand-written

hand-drawn typeface

calligraphic

handwritten font

calligraphy

small lettering

"Chang'an [right of a pair]" (1818) is a hanging scroll of calligraphy by Japanese artist Kameda Bōsai (1752-1826). This work, now in the collection of the Minneapolis Institute of Art, is an example of the artist's mastery of the "kaisho" script, characterized by its formal and regular style. Bōsai's calligraphy reflects the elegant and refined aesthetic of the Edo period, showcasing the artistic expression of written language in Japanese art.

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minneapolisinstituteofart about 1 year ago

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This pair of screens features the calligraphy of Kameda Bōsai, a Confucian scholar celebrated for his dynamic, vibrant handwriting. (Confucianism is an ancient philosophy and code of ethics that underpins the culture of China and its neighbors.) As a scholar, Bōsai was familiar with classical Chinese literature and culture and was a skilled calligrapher, painter, and poet in his own right. In this pair of screens he used the expressive “running” style of calligraphy, in which characters are abbreviated and multiple characters occasionally run together. The text is a transcription of a Chinese ballad (qilu) called “Chang’an, Ancient Theme” (“Chang’an guyi”) by Lu Zhaolin (c. 634–684). The city of Chang’an, today known as Xi’an, was significant to the Japanese—two of Japan’s early imperial capitals, Heijō and Heian (now the cities of Nara and Kyoto, respectively), were designed after this ancient Chinese capital city.