photography, gelatin-silver-print
portrait
landscape
photography
gelatin-silver-print
Dimensions height 78 mm, width 106 mm
Curator: This is a gelatin-silver print entitled "Victor Hugo op een balkon in Guernsey," which translates to Victor Hugo on a Balcony in Guernsey. It's dated 1868 and part of the Rijksmuseum collection. Editor: It’s atmospheric, certainly. Almost sepia toned, despite being a gelatin-silver print, with a slightly mournful cast over the scene. Curator: The choice to capture Hugo against such a sweeping vista, exiled on Guernsey for his political views, lends itself to a powerful reading of individual versus authority. Editor: I notice his positioning on the balcony, framed by the railings. They remind me of prison bars; Victor Hugo the celebrated French author is trapped by forces of history. Curator: Absolutely. His exile was a direct result of his vocal criticism of Napoleon III, casting Hugo as a champion for republicanism against the Bonapartist regime. This photographic portrait solidifies his image as a resistant hero. Consider the broader European context of 1868 – a period ripe with social unrest and nascent nationalism. Editor: The hazy landscape almost swallows the settlement there; that lighthouse looks so fragile in the face of nature. The composition emphasizes that feeling of vulnerability, yet, it also has undertones of defiance—a man against the elements. Curator: Precisely, Guernsey was, for him, both a literal refuge and a symbolic space for intellectual resistance. The very act of photographing Hugo here creates a powerful political statement. Editor: And beyond his politics, this photographic portrait can be seen as a powerful representation of the artist's gaze. Here we have Victor Hugo, writer, poet, public intellectual presented to us for admiration. Curator: He becomes a sort of emblem of republican values. It is important, I think, to remember how these historical images contribute to myth making in political discourse. Editor: True. Thinking of that, my take is that we have two mythologies intersecting, here: Victor Hugo and that of Romanticism. The symbolism layered through this work just gives more depth. Curator: So in effect the photograph, initially a means of capturing likeness, became a tool to cement a lasting social legacy of the man, and to bolster his politics. Editor: Indeed. The careful rendering of the individual within this particular environment elevates portraiture beyond mere representation, so, it reveals stories within stories.
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