Foreshortened Self-Portrait 1973

Editor: So, this is Avigdor Arikha’s "Foreshortened Self-Portrait" from 1973, a graphite print. The unusual perspective makes it kind of unsettling. What’s your take on it? Curator: The image speaks volumes about self-perception and vulnerability. Arikha seems to be exploring not just his physical likeness, but the psychological weight of viewing oneself from such a distorting angle. Foreshortening has long been used to evoke drama, from Mantegna's "Lamentation" to Caravaggio, but in this more contemporary application we get something far more internal, don't you think? Editor: I see what you mean about the internal aspect. The distorted view makes it feel like he's scrutinizing himself, or maybe even critiquing something within. Is it common to play with perspective this way? Curator: Yes, this relates to the broader history of the "vanitas" tradition in art. What symbols are present that evoke reflection on the ephemeral nature of life? Usually it's skulls, mirrors and decaying fruit but here, Arikha cleverly employs distortion to create the same psychological effect. Editor: It's fascinating to think about it in relation to the "vanitas" tradition. Seeing that sense of introspection and fleetingness adds a completely new layer for me. Curator: The choice of graphite also echoes those themes. The fragility of the lines reminds us of both art-making and existence. Every line represents a choice, a fleeting moment captured, or a search for lasting significance. Editor: I really appreciate how you linked the technique to the message. Now, looking at it again, it feels like a powerful contemplation on self and mortality through a deceptively simple print.