Charles II de Gonzagues-Clèves, Duc de Mantoue, Duc de Montferrat, de Nevers et de Rethel, etc. c. 17th century

Curator: This is Robert Nanteuil's portrait of Charles II de Gonzagues-Clèves. The detail achieved through the engraving process is astonishing. What catches your eye? Editor: The textures, definitely. How Nanteuil renders fabric and hair with such fine lines is remarkable. It makes me think about the labor involved. What can we learn from the materials and techniques used here? Curator: Well, engraving allowed for multiples, disseminating power. Consider the paper, the ink, the press – all commodities shaping and reflecting the Duke’s social standing. Was this image intended for consumption, reinforcing his image? Editor: That's interesting. It highlights how even portraiture is tied to production and economic systems. I hadn’t thought about it that way. Curator: Indeed. It reminds us that art isn't just about aesthetics; it's also about labor and material. Editor: Thanks. Looking at it that way gives me so much more to consider.