Inro, zwarte lak met een brug in de mist en pijnbomen in makie 1700 - 1800

This Inro, a small, tiered case, was crafted by an anonymous Japanese artist using black lacquer and the 'makie' technique. Lacquer is no simple paint. It’s derived from tree sap, applied in thin layers, and polished to a deep, lustrous shine. The 'makie' technique involves sprinkling metal powders, often gold or silver, onto the wet lacquer before it dries, creating intricate designs. Here, the artist depicts a misty landscape with a bridge and pine trees. The gold makie contrasts strikingly against the black lacquer, giving a sense of depth and atmospheric perspective to the miniature scene. Consider the immense skill and labor involved. Each layer of lacquer requires careful application and drying time, and the 'makie' decoration demands precision and artistry. It's a testament to the dedication of the anonymous maker, and a reminder of the rich tradition of Japanese lacquerware. The value lies not just in the materials, but in the artistry and time invested. By appreciating this, we move beyond mere aesthetics to understand the cultural and economic context of its creation.