Alex Martins, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes by Allen & Ginter

Alex Martins, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891

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drawing, print, photography

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portrait

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drawing

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print

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photography

Dimensions: Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)

Copyright: Public Domain

Editor: Here we have an 1885 photograph titled "Alex Martins, from the Actors and Actresses series" for Virginia Brights Cigarettes. She's posed with her hand gracefully at her neck and looking directly at the viewer. I am intrigued by how her dress seems almost theatrical; what stands out to you? Curator: I am struck by the layered imagery, each a symbolic skin. She's labeled, marketed as "Alex Martins" and again as "Virginia Brights Cigarettes". These act as brands or social roles imposed on her. But then you have her dress and jewelry, that seem almost Romani, like a deliberate type-casting, playing on orientalist fantasies prevalent at the time. Editor: Type-casting? You mean deliberately dressing her to fit into a stereotype? Curator: Exactly. Note the "exotic" accessories. The dangling coins suggest ideas about fortune-telling and perceived "otherness", acting like symbolic chains, subtly dictating how she's viewed. It is interesting that they didn't fully commit and opted for this 'theatrical' or in-costume styling of the figure. This way it caters to that fascination while preserving her role in the present day. Editor: So it is both alluring and also a kind of branding? Curator: Precisely. And this "branding," linking her image to the cigarette brand, intertwines her perceived identity with the product. The cultural memory of this figure becomes linked with Virginia Brights, perpetuating those orientalist tropes through the very act of consumption. It's clever marketing, but rooted in potentially harmful cultural associations. What are your thoughts? Editor: It makes you think about the power of images, even in something as small as a cigarette card. I never thought about how many layers of meaning could be packed into something so simple! Curator: Exactly! By understanding the symbols and imagery used, we uncover the cultural dialogues being conducted at that time. I learned so much today, thank you for the fascinating dialogue.

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