Maagd Maria 1890

This small metal plaque depicting the Virgin Mary was made by Louis Eugêne Mouchon. The piece’s small size suggests that it may have been created using die-stamping, a method suited to mass production. You can see this in the crispness of the lines. But the model still had to be designed, and that requires artistry. The texture and weight of the metal give the piece a sense of solidity. In that respect, it reminds us of traditional modes of devotional imagery. The artist expertly utilized the malleability of the metal to create a relief that captures Mary’s serene expression, as well as decorative elements such as the arched frame. While this piece may not fit neatly into either high art or craft categories, it encourages us to consider how techniques typically associated with industrial production can result in objects of beauty and reverence. Ultimately, understanding the material and making of this artwork enhances its cultural and social significance.