Gezicht op de Rialtobrug in Venetië c. 1860 - 1880

Giorgio Sommer captured this stereo card of the Rialto Bridge in Venice in the late 19th century, a period of burgeoning tourism. The bridge itself, arching gracefully, becomes a symbol of transition, a motif echoed throughout art history in triumphal arches and sacred gateways. The image has a double viewing, reminiscent of Gemini twins, a duality symbol of the threshold between perception and reality, of the conscious and the unconscious. The bridge is a constant in art and culture, such as the Ponte Vecchio in Florence, a connection between different realms, a link between the earthly and the divine, or, in psychoanalytic terms, between the ego and the id. The reflections in the water add to the dreamlike quality, a silent dialogue between the solid and the ephemeral, inviting viewers to lose themselves in contemplation. This duplication taps into the collective memory, a reminder of our constant search for connection and understanding. The cyclical nature of symbols is clear: images resurface, evolve, and take on new meanings in different historical contexts, forever etched in the collective consciousness.