[Group of 11 Stereograph Views of the 1869 and 1872 World Peace Jubilees, Boston, Massachusetts, United States of America] 1850 - 1919

Charles Pollock made this stereograph of the 1869 and 1872 World Peace Jubilees in Boston, Massachusetts. These stereographs offer a glimpse into post-Civil War America, revealing the era’s complex negotiations of identity and unity. Envisioned by Patrick Gilmore, these Jubilees were more than just musical events; they were attempts to heal a fractured nation through the universal language of music. With ensembles of thousands, the Jubilees aimed to transcend social and political divides. However, they also reflect the racial tensions of the time; while Black musicians participated, racial segregation and exclusion persisted in the broader society. Stereographs themselves were a popular form of entertainment, allowing viewers to experience a sense of depth and immersion. This particular stereograph invites us to reflect on the collective desire for peace and harmony while acknowledging the inequalities that persisted. The photograph preserves a moment in time, prompting us to consider how far we have come and how far we still need to go in our pursuit of a more just and equitable world.