Arbeiderswoning met arbeiders op plantage Johanna-Catherina te Suriname c. 1918

This albumen print of a worker's dwelling, on the Johanna-Catherina plantation in Suriname, was made by Theodoor Brouwers. The muted sepia tones create a scene that feels distant, like a memory fading at the edges. There’s a stillness here, a moment captured in time. Look at the figure standing in front of the house. We can't make out a face but we can see the clothes, the way they stand, as if waiting. The texture of the print itself, slightly worn, adds another layer of history. The photograph creates a window into a life, a place, a time far removed from our own. It is a view of a world in which labour and landscape are intertwined. Brouwers, born in the late 19th Century, lived through a time of immense change in art, the move towards abstraction. He was part of a generation grappling with representation and reality. This photograph, in its own way, is part of that conversation, a document and a meditation, a starting point for questions rather than answers.